Post by create on Nov 4, 2009 10:55:19 GMT
On Create's second self-released project, coming close on the heels of his last official release for Groove "In The Blink of an Eye," Steve Humphries eloquently proves once again he is a force to be reckoned with amongst an international elite pantheon of artists keeping the classic Berlin School EM sound alive, to include Redshift, Free System Projekt, and Radio Massacre International. "Words Just Get in the Way" unfolds in three long, immersive pieces of electronic magic.
Opener "The Obsidian Eye" is a sprawling, moody 38-minute epic, morphing effortlessly between quiet cosmic passages, mellotron sounds, sequencer interludes, and then back again, never falling short of inventive themes and ideas or getting stuck in one place for long. "Closer Than You Think" is a more upbeat affair, but no less intense, melding symphonic keys, mellotron sounds, Ashra-like rhythms, and tasteful Gilmour-ish electric guitar solos courtesy of Hashtronaut. RMI fans take note! An extremely effective track. The final piece, "Slave to the Groove," is a darkly visceral, apocalyptic masterpiece. Echoing, spiralling synth notes dripping with menace and attitude give way to a hypnotic sequence which builds with more mellotron sounds and soloing into a miasma of eviscerating, swirling dark ambience.
But don't let my "words get in the way" as they do this album little justice compared to hearing it for yourself. Definitely an album no serious connoiseur of EM should be without...
--Drone On USA
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Opener "The Obsidian Eye" is a sprawling, moody 38-minute epic, morphing effortlessly between quiet cosmic passages, mellotron sounds, sequencer interludes, and then back again, never falling short of inventive themes and ideas or getting stuck in one place for long. "Closer Than You Think" is a more upbeat affair, but no less intense, melding symphonic keys, mellotron sounds, Ashra-like rhythms, and tasteful Gilmour-ish electric guitar solos courtesy of Hashtronaut. RMI fans take note! An extremely effective track. The final piece, "Slave to the Groove," is a darkly visceral, apocalyptic masterpiece. Echoing, spiralling synth notes dripping with menace and attitude give way to a hypnotic sequence which builds with more mellotron sounds and soloing into a miasma of eviscerating, swirling dark ambience.
But don't let my "words get in the way" as they do this album little justice compared to hearing it for yourself. Definitely an album no serious connoiseur of EM should be without...
--Drone On USA
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